nice price deal !!! newcomer ingo thomas provides the next installment on beyond with three very unique, raw and individual tracks on vinyl. the off kilter, deep and detroit inspired ‚ suludada charms and chimes its way down a dusty, richly textured path as the meandering synth themes intertwine and grow throughout 8 and half minutes. painting a mysterious picture of late night abandon, echoes of dark moody club atmospheres and super deep vibes a plenty, its a really stand out track… and the quality doesnt let off here! sweep is another suitably textural offering that lays down tense atmospheric chords and uplifting synth themes from the very start. reminding us of some of the very best deep techno from over the decades, thrown into one giant melting pot of quality, inventive production, it makes us wonder if our man ingo just might be a future electronic music fi gurehead in the making! closing the record we find >hum reprise< whose dubby stabs, tricky arrangement and bad ass reduction all contribute to another wonderful track. certainly intended to play loud, this outstanding piece of other worldly electronic entertainment is yet another reason to remember the name flashnap.

bitten is amsterdam s hot techno imprint with 2000 and one and sandy huner at the forefront. for this release we welcome back raul mezcolanza and khat. this time the duo deliver two warm and groovy techno tracks inspired by the sound of detroit, synths, vocals and a dancefloor driven grooves are the key ingredients for this release.

digital traffik is back with its third release of 2016. this last vinyl of this year is completing the serie dedicated of the -10 years label birthday - celebration. also on this ep four new artists are on board : marco effe, alexandar ivkovic, neverdogs and clive. weird tales is the marco effe track, an incredible artist of digital traffik family and founder of his own -impress- party on watergate berlin. kick and bass lines are big, the melodies are infectious and techno just keeps on giving... simply amazing! alexandar ivkovic presents nbdg : in this track merge is signature techno-detroit sound into something that still contains stacks of class and character. neverdogs directly from music on world tour returns in digital traffik family after two years. throughout their track -state of blind- there is a sense of tension that is created through the eerie pads and synths combining to create different rhythms to keep the listener on their toes. -mambo cafè- is the last track of this vinyl and is composed by the a&r of digital traffik : clive. this song is an amazing train without stop... fat bass, groovy percussions and an incredible pause perfect for every kind of dance floor!!! of course : not to be misse

a killer selection of ice cold motorized detroit electro tracks by le car!

mint condition a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in. guy plez pleasant dropped this monstrous slab of proto-tribal techno on his own plezure label way back in 88. the rest, as they say, is history. a stone cold nyc club bomb was dropped. literally. the fact that this record is still played, still talked about, still sought after really says something about it s heady mix of heads down dark corner tribalism, it s screeching, soaring synth lines and it s sheer balls out attitude. this one goes off. a cursory glance shows that plez only did a handful of records, with cant stop definitely being the biggest and most well known and loved (honorary tip of the cap to thing for you here too). the acid rainforest mix featured on this 12inch is a dangerous weapon in any dj s bag, submerging the dance-floor into an otherworldly jungle planet. heavy, heavy stuff. heres the chance to bag yourself a classic slice of nyc dance history, sounding as heavyweight as ever, ready to do damage. fully remastered specially for mint condition, i can t stop is back, as notorious as ever. legitimately re-released with the full involvement of guy plez pleasant for 2017 and remastered from the original dat s specially for mint condition by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

santonio echols releases his first vinyl ep on chapter two recordings santonio echols is part of the first wave of producers out of detroit. his sound is a combination of techno to deep house, and fans have been patiently awaiting this projects release. he has teamed up with legendary orlando voorn and moire patterns to create vol. 1 on chapter two recordings. for the vinyl release side a will have the first track back 2 basics featuring mike anderson. it is a special remix by clemens neufeld produced by santonio echols. the second track will be walk away solely produced and mixed by santonio echols. side b will feature two tracks get up produced by orlando voorn, and jun produced by moire patterns. this vinyl ep will be available this month.

following mandingos universe ii on rekids last year the label has tapped thomas melchior and larry heard for remixes. mandingo is best known as detroit producer monty luke, the founder of black catalogue whennot appearing on labels like planet e and dogmatik. echoing synths and crunchy percussion join trippy nuances and effects in melchiors otherworldly reinterpretation. meanwhile on the flip, larry heard distorts the original into a mesmerising number featuring a meandering hook and intricate melodies.

the sweetest- volume 2 sees on a side the driving and elegant detroit jazzy styled house of twovi from bari, the soft chicagoish swing of tadao from perugia and the chilled funky - filtered and disco-infected vibe of the archivio record store s boss dj rou from bologna. b side starts more minimalistic and trippy with -lara sogna- by already known producer and masterchef livio improta from napoli (already on rawax) , changing then on a romantic and sensual direction with the perrone brothers s project -easy to remember- , unclear s duo from arezzo, and the closing piece by russian danny dust called -days on earth-

sdx is the producer alias of our resident dj beni, who delivered finest detroit techno for our catalogue number 008. catalogue number 009 comes with special remixes by legend rolando, known from labels like ostgut ton, underground resistance or deslin & max durante, known from sonig groove & diffuse reality. the original track the day she asks for forgiveness is a slowly building percussive 808 banger, built around a short vocal sample. rolando comes with a special minimalistic dj tool track. we are sure this remix will find place in lots of dj sets. max durante comes with a straight forward techno remix in his best own style. the third and last track of the record is a special bonus breakbeat track made by sdx himself. clitchy sounds and a special mood will bring you directly into another dimension. be prepared

its been some 7 years since reggie dokes was last seen & heard on a wph release, so safe to say this one is long overdue. our detroit hero took a bit of a hiatus from music production in recent years, but he is back and has been cooking up some serious heat. on wph 004 one of the tracks received a slight edit treatment by fcl and so red d decided it would be a nice twist to do the same on this one. but seeing as san soda was globe-trotting again red d handled the edit duties solo. which is all academics really, because in the end its about reggies unique detroit sound. transpose & jazz is my mistress will appeal to any adventurous dance music dj because they cannot be categorized or compared to anything. they are reggie dokes tracks and reggie dokes tracks are what they are: reggie dokes tracks

detroit techno pioneer kevin saunderson has revived his underground house moniker e-dancer with into the future, a rolling futuristic nod to the sound of detroit techno. swirling retro-future synths, echoed out claps and solid bass line that just screams detroit. the tracks gritty yet groovy sentiment is a perfect continuation of the very first e-dancer album heavenly, released in 1998

jacy inaugurates the mysterious kalahari oyster cult with somewhere in the tapes . this audio artefact rumbles with bright and clean sounds. the influence of chicago and detroit is clear from the outset, rooted in the smooth and cerebral grooves of parallel trip . piano keys ebb and flow in the late night movements of dancing about bebu . those keys take centre stage for the house scented sounds of piano reprise . jacy comes full circle with the cruel and cold it s not hot but hit (disney rave mix) , a track of sinister synth stabs and spiralling samples. the cult s first vinyl pearl.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

efde s first release on voyage direct. the label embraces efde, regarding my bleep as arguably his most stunning production yet. some may be familiar with efdes work through his occasional 12inch singles for nordik netrecords and soweso, where he distilled a variety of influences think dreamy, ultra-deep house, the chicago bump of chez damier, and the sci-fi pulse of detroit into tracks that had a distinctive vibe all of their own. here he gets a chance to showcase his trademark sound on a four-track ep for the amsterdam-based label.

amsterdam’s coveted format returns with a fresh slice of techno funk by argentinean producer flug. format’s latest offering sees flug throwing down his signature techno sound across three tracks, all of which are centered around stripped grooves and menacing fx. first up is obscure cells, which combines an infectious synth arp to an ever evolving groove with the outcome being a very hypnotic track. x28 turns things up a notch with a powerful offbeat groove and mental synth squeaks, while the highly energetic trip02 marks a venture into detroit techno territory. a highly diverse ep of a grade quality, this one... format’s ninth release has become another dancefloor damaging piece of work.

seige monstracity is an anomaly in the music industry. he rides the fence, providing the contemporary soundtracks for successful commercial artists such as yg, tyrese, keisha cole, and marsha ambrosius, as well as producing grimey backdrops for underground artists like bizarre, bad lucc, and namebrand.
this is a collection of the latter. seige’s debut lp contains 12 incredible doses of heavy beats, chopped up breaks, and obliterated samples. a detroit transplant in los angeles, both cities are omnipresent at all times on the lp.
“swahililand” is a west-coast interpretation of the classic “stakes is high”. “careless” revives a classic david axelrod moment. “dirt bag” sounds like a late night liquor store robbery. “doves” takes a classic from one of our all time greats who we lost recently, and transforms it into a ride thru the hood on a beautiful day in los angeles.
this is not to be missed. another classic collection of beats from street corner music.

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

der neu-berliner gibt nach seinem phatten tuning spork release nochmal richtig gas !! zeitlos & ultraphatter minimaler detroit * warehouse find *

ilario alicante is back on the track and he simply beats the shit out us! the italian techno maestro presents a stronger than strong release that defines the alicante-sytle in pure perfection. the extreme detroit flavoured alicante double pack tracker comes with remixes by adventice and mark broom. alicantes originals “virgo storm” and “hypno” are based on a massive and masculine beat programming and wave the “purpose maker” and “axis” flag like no other of his releases so far. this is heavy material - this feeds rob hood and jeff mills fans and we can see and hear alicantes admiration for the underground resistance back catalogue here! adventice (dj deep & romain poncet) remix for “virgo storm” follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: total dancefloor madness! mark brooms remix for “hypno” introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by ilario alicante. this 4-track-package proofs that good and solid techno is still fresh and alicante leaves a major footprint with this release! play this loud and drive your speakers to the edge, azzurro alicante is back on cocoon recordings!

special backstock !

nice price deal !!! chicagodamn arrived on the scene with an instant classic on mark es merc label. following this was the stunning debut on his own label, as well as acclaimed releases on the excellent wolf music & claremont65 offshoot sixtyfive. so here we have the eagerly awaited follow up, strobelit futuristic warehouse tackle once again, shot through with the enduring spirit of first-wave detroit techno and the pared down pulse of chicago. attjoh kicks things off with a beautifully realised lesson in dancefloor dynamism and mood, simplistically constructed for maximum impact in the right hands. on the flip joh is another heady concotion of intoxicating atmospherics and spikes of acid bubbling up through the sonic stew, with the mood drenched finalé time waits for no man wrapping up another classic ep.

nice price deal !!! drei remixe in geheimer mission. die a-seite gehört dem post-punk-klassiker stop! dance! von ak-47. die b-seite zollt in schmutziger disco-tech-manier chaka khan tribut, während auf der rückseite der 2. juli 1977 detroit techno trifft.

“shark wolf rabbit snake” is the 2012 album from veteran producer and sound designer eliot lipp, originally released on pretty lights music. this seminal project in lipp’s catalog effortlessly moves between hip-hop, drum & bass, funk, techno and jazz. the 12” lp is reissued for a limited time by detroit label young heavy souls and comes with download code included.

for the next volume of the long running turntables on the hudson series, we head down south to brazil to get a little dancefloor sunshine to warm up these cold winter months. the turntables on ipanema ep features four tracks on a 12inch from the digital compilation which will be dropping the same day on wonderwheel recordings. first up, brazil s dj g gives us samba da terra, a deep, jazzy brazilian house/samba fusion joint sure to get all the dancers on the floor. next, the ever prolific simbad comes through with the brand new detroit de janiero, a bangin track equally inspired by early motor city techno as the drum rhythms of brazil. on the flip side, nickodemus and simbad collaborate on berimboom another deep electronic house joint with an infectious bassline that percussively floats into rio. rounding up the ep, wonderwheel mainstay zeb comes with the slo-mo spacey dub house vibes of space forest.

nice price deal !!! incl los hermanos remix. house heads, be on the lookout for a deep descending piano hook echoing through a club near you. last seen wearing shuffling tambourines on its 909 kick, it communicates through the medium of gospel vocal and is thought to be armed with a killer bassline. this threat to society is the latest release from dublin s eamonn doyle, following up his last plate >red shift< in fine style. as the journey continues doyler keeps it deep and raw, holding fort in a fashion that will appeal to all seekers of deepest waters. on the flip, detroits gerard mitchell reworks the track in drive mode with one of those classic detroit style basslines that keeps him at the forefront of todays techno producers. another essential 12inch from d1

influenced by detroit and post rave sounds, casey tucker presents an ep that mixes skippy house with percussions and acid bass lines. this record was produced especially for certain music records after he was approached by the end of 2015. rather than providing projects coming straight from his hard drive, he decided to produce all fresh tracks from scratch.

italo business come back to wax. here you can find slamming techno with chunky rhythms and detroit techno feeling mixed up with some deep industrial sounds. if you are looking for rich synthesizer music with influences ranging from old school to warehouse techno, this ep is definitively for you.

2016 repress ... *in love again* first surfaced as part of red rackems *all i ever wanted ep* in 2010 becoming an underground smash. soulful vocal samples, and beautiful detroit strings work uniquly in the wolf style that we come to expect. the new remix is uptempo, with skippy drums, and a deep warm feel. this tweaked mix is made for underground dancefloors. the b side features a brand new track entitled *latin techno*, which combines filtered chopped up loops layered over huge beats. another successful release for red rackem and a fine return to form for wolf music.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in..

stunning freaky detroit groover by the master delano smith! one sided limited vinyl copies.

it has been a year since we last heard something from him, but in the meanwhile things have been sweltering beneath the surface. last we saw him, he vanished into a sculpture that bended the rules of our three dimensional reality. finally, here we are. being stuck inside a rusty hypercube trying to find your way out, crawling around the different tunnels all leading to new spaces that puzzle the mind. tangible, tactile shapes forming a comprehensive physical world without containing a discernible contour. flat pictures that once inspected transform into multidimensional spaces. the room fades into infinity, and all that’s left is an overdose of sensory stimulation. but dont worry. quince is here to help you find your way out. after an album on delsin, releases on music man, kompakts speicher series and his track europe on our somewhere compilation, quince is back after a short hiatus on something happening somewhere with a four track killer no filler ep that oozes character out of every sweaty pore. making the kind of records you still remember after an intense club night slowly comes to an end, quince presents a diverse pallet of sounds to choose from. rif provides perfect sturdy dance floor material with quince’s compelling groove trusting alongside splintered melodies and detroit influenced synth sounds producing a sense of undeniable optimism. b1s coitus shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that youre sucked into a wormhole propelling you towards an unknown location.

what would electronic music be without remixes? this is a question andrew claristidge had to answer last year after releasing his first solo album danser ou mourir. reworking the song of an other musician is a common thing nowadays. what is the purpose of it ? what if we would do the same in literature ? imagine asking philip roth to rewrite houellebecq... this is pure fantasy and this came to andrew s head.

wilde calm records is proud to present a new ep of modern percussion edits from brooklyn producer boonlorm. this collection of reworks was started around the same time boonlorm began recording string figures, his album of prepared piano house music. it shares a similar sound to string figures rich combination of tonal, atonal and percussive timbres. by adding his raw drum programming to tease out the latent techno qualities in these modern percussion opuses, boonlorm once again pays homage to chicago, detroit, and the 20th century avant-garde.

burnski and jon woodall s constant sound label continues to reach skywards following the formers essential dna album, welcoming the ever-reliable laura jones and stephen brown into the mix with a collaborative effort that matches club precision with machine soul in equal measure. -crystalline- works around detroit motifs to great effect, while -concave- ramps up the swing factor for a spacey number that gets fancy with the fx. -pv- too does a fine job of making the synths ping around the mix with a jammed-out feel, while endian delivers a remix of -nothing lost- that leans on berlin techno dynamics while injecting some colour into the situation.

the white man & the arab return with their fifth release, the exchange ep, further developing the sound that s made their previous four outings so alluring.informed by a range of cues that reflect the pairs influences, you can sense dub, ambient, minimal, a love for eerie melodies and raw deepness permeating from this ep’s start to finish. the a side kicks off with -on the floor- - a nod to the fact that the whole ep was crafted literally on the floor (the studio was in transition ) - signals what awaits the listener for the duration of the ep. moody pads, slowly progressing melodies and their signature syncopated drum patterns. -people say- follows next, instantly shifting up a gear - this is a solid dancefloor shaker with a simple but seriously effective bassline that will be lodged in your brain, a sharp hi-hat & clap combo and a disembodied, haunting vocal that chants along to the beat. flip the record over for the title track - -the exchange- - a reverb-drenched ethereal club cut that gets it s unstoppable sense of motion from the irresistible percussion workout, while the squelchy acid line adds that extra rawness. rounding off the ep -sideways- signals a distinct nod to detroit. no homage in sight though - it s been carefully distilled via their own signature processes resulting in a somewhat emotional, dubbed out track - perfect supplement for when you re starting to land back to earth

giammarco orsini kicked off heko records last year with the first volume of experiential learning, and now hes back for round two following a brief spot on elephant moon earlier in the year. solar system is vital to the planet dominates the a side in a swinging, punchy style of techno that calls to mind the likes of stephen brown. life goes on on the flip however comes on with a housier demeanour, keeping the detroit synth tones plush and the mood mellow. trees dance breaks away into a stripped back electro style that sits as a neat foil to the grooving 4/4 elsewhere on the ep.

die zweite reise in die station road nach wigan bringt uns 16 weitere northern soul-perlen aus den playlisten der beiden djs russ winstanley und richard searling, als der legendäre wigan casino-club in den 1970’ern seine hochphase erlebte.

jeanga & george are composers, producers and music enthusiasts with strange and indecipherable accents. their taste in music is as wide as the amazon and covers everything from georgian choirs to detroit techno, african folk and belgian new beat. the music they make themselves is based on electronic repetitions, melodic idiosyncrasies and their strong sense of being european. radio premiere sunscreen on radio 1 with phil taggart radio play from huw stephens, radio 1 support for sunscreen video from dj mag france, earmilk, last gas station, brain magazine and more

after releases on fxhe, deeplabs, and planet-e, brian kage returns with “the arc ep,” a new record on his new label, michigander. “the arc ep” is dedicated to celebrating hopeful and inspiring times in the city of detroit. the arc - dark minor chord stabs emerge and echo around a solid concrete foundation of classic 909 style drum patterns and deep pulsating bassline hits. the structure builds until giving way to a break of lush symphonic strings that pay tribute to detroit in a nostalgic manner. the arc (stringless mix) has been crafted for creating and releasing cascades of tension in the darkest of warehouses. d drive – a saturated synth lead effortlessly bounces through two octaves in a classic groove that is unmistakably from an alternative universe where the 80s never ended. this feel-good jam will get even the toughest of crowds smiling and rocking out. transcending – this contemplative soundscape flings percussive hisses rippling through a deep melodic realm. an atmosphere of timeless synthesis provides reassurance that it was a great decision to come out wearing comfortable shoes and dressed to sweat.

deeplabs is a detroit based record label run by luke hess focusing on detroit influenced techno for the dance-floor and in return building a strong community of likeminded artists. the third installment of the warehouse sessions series highlights four artists: deepa & biri, jeff hess, hiver, and mor elian. each track gives the listener and dj a deeper understanding of the soul, character, and quality of each of these artists. enjoy the music and play it loud. with love from detroit.

all naked records hit the ground running with four flaming tracks by artists they hold dear.
the rigologo side features a ghost future track that takes you back to the chicago of 1994, but adds that little something extra. rawmental then pushes through into detroit territory with an epic and infectious synth jam. the techno side, launches with a club ready techno burner from captcha (aka strip steve) and finishes with a nate tone track. an essential debut release.

echoing sonar sweeps, octave one synth strings and that full bodied bass sound hark back to the glory days of detroit.

warehouse find! mint, unplayed copy on this now defunct detroit label... act now!

pressed in detroit. another monstrous metroplex essential gets reissued! late 80s electro funk from juan atkins as model 500. off to battle seriously laying down the foundations to what was to come next from exeperimental detroit. tip! haveing recently re-issued indispensable tracks like the chase and night drive, metroplex continue to re-release their early classics. dont miss.

big support from ben sims , paul mac and dave clarke
we are really proud to present the first work of new label * prophet* with a various of artists we love.
on a side we have mister ritzi lee , after release on mord and 47, make for prophet an full analog track called transformation marked by a relentless groove and an acid synth, perfect for rocks the dance floorìfor the a2 we have chose the talent of bill stacy from detroit techno militia, that make an old style detroit s track, recalls the days when music was really an art. opens up the b side the asian techno master a.mochi , with its unmistakable sound, spectrum is deep subby rhythms and hypnotic synth hooks. closing up the b2 side the italian artist booz , make an unconventional track, withslight mystical atmosphere and a futuristic sounds.

blawan is kilner on new double ep for avian.
jamie roberts is no stranger to the more experimental tenets of the techno genre, and much of the british artist’s output of late has hinted at more leftfield leanings. a recent return to will bankhead’s trilogy tapes imprint saw a brace of meditative, post-detroit workouts - employing the same heady, hardware aesthetic as much of his work on ternesc - though at a drastically reduced tempo. it’s this same willingness to break down perceptions regarding his own music that marks walk type – roberts’ debut on the avian label, as a notable chapter in the artist’s discography.

matt whitehead makes his debut on super rhythm trax, giving us ‘crosstalk’, ‘seeing red’ and ‘birdland’ channeling classic detroit and chicago house/techno that’s heavy on the analogue and all recorded down to tape for extra warmth. make sure you don’t miss matt’s electro opus, ‘we’re bombing’, a love letter to the 80’s street sounds that have influenced much of his catalogue to date. then as a special treat for ‘a is for acid’ lovers, we have the raw 303 workout in all it’s solo glory so you can ‘make your own’.